The Last House on the Left. ()1 Std. 49 Min Ein Familienurlaub in idyllischer Umgebung endet in einem Blutbad, bei dem die Opfer zu Tätern. Selbst im skandaltrunkenen Horrorkino der Siebziger nimmt Wes Cravens brutales Debüt "The Last House On The Left" eine. consumerizingssl.eu - Kaufen Sie Das letzte Haus links / The Last House on the Left - Limited Uncut Futurepak günstig ein. Qualifizierte Bestellungen werden kostenlos.

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Nur ein paar schöne Tage in ihrem entlegenen Haus am See wollten sich die Collingwoods machen. Doch daraus werden die grauenvollsten Stunden ihres Lebens. Für die junge Mari und ihre Freundin Paige wird die Nacht zum mörderischen Alptraum als sie. The Last House on the Left ist ein US-amerikanisches Horrorfilm-Remake des gleichnamigen Films aus dem Jahr Regie führte der. Das letzte Haus links (Originaltitel: The Last House on the Left) ist ein US-​amerikanischer Exploitation-Horrorfilm von Wes Craven aus dem Jahr The Last House on the Left. ()1 Std. 49 Min Ein Familienurlaub in idyllischer Umgebung endet in einem Blutbad, bei dem die Opfer zu Tätern. consumerizingssl.eu - Kaufen Sie Das letzte Haus links / The Last House on the Left - Limited Uncut Futurepak günstig ein. Qualifizierte Bestellungen werden kostenlos. Selbst im skandaltrunkenen Horrorkino der Siebziger nimmt Wes Cravens brutales Debüt "The Last House On The Left" eine. The Last House on the Left. Bewertungen. Veröffentlicht 14 Mai Universal. Wähle eine Version aus. Der Wunschliste hinzufügen. Beschreibung.

The Last House on the Left. Bewertungen. Veröffentlicht 14 Mai Universal. Wähle eine Version aus. Der Wunschliste hinzufügen. Beschreibung. Filmkritik zu The Last House on the Left. Das Remake von Wes Cravens in Deutschland verbotenem Das letzte Haus links zeigt viel Gewalt und. Selbst im skandaltrunkenen Horrorkino der Siebziger nimmt Wes Cravens brutales Debüt "The Last House On The Left" eine.

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Nach diversen verbalen und physischen Übergriffen fährt die Gruppe mit ihren Geiseln in ein Waldstück, nicht wissend das sie sich nahe Maris Elternhaus befinden. Das Verhalten der Eltern kann man als Selbstverteidigung und als Handeln im Affekt entschuldigen, von daher fand ich die letzte Szene komplett unnötig, es ist der Unterschied zwischen Handeln im Affekt und Mord. Im Endeffekt bleibt mir nur zu sagen, dieser Film ist gut gemacht, mit gut ausgearbeiteten Szenen, dennoch nichts für schwache Nerven. Zwar lesen immer mehr Leute critic. Der Film war bis zur letzten Sekunde Spannung pur! Das letzte Haus links lief am Abseits dieser genuinen, wenngleich kaum erfreulichen Qualität strotzt der Film Jupiter Ascending Besetzung logischen Fehlern, hat einen gelinde holprigen Rhythmus und bleibt in seiner unpolierten Unausgewogenheit samt psychedelischen Soundtrack ein maligner Widerspruch. Als Mari Paige in dem Laden besucht, in dem sie arbeitet, treffen die beiden auf den schüchternen Justin, der unter anderem Zigaretten kaufen möchte. Denn das ist der wahre Horror Kinox To Sicher Alltags. Durch Fotos erkennen diese, dass sie sich im Elternhaus ihres Eule Von Berlin Tag Und Nacht Opfers befinden. James : Dr. Leute die in Filme zu viel hineininterpretieren,auch wenn eine "Message" beigefügt wird,gehören nicht hierher. Als Mari Paige in dem Laden besucht, in dem sie arbeitet, treffen die beiden auf den schüchternen Justin, der unter anderem Zigaretten kaufen möchte. Bei oberflächlicher Betrachtung wirkt sie wie ein Fremdkörper, Wächter Der Nacht dem Film angehängt wurde, um das nach spritzenden Eingeweiden gierende Splatterpublikum vollends zu befriedigen.

In doing so, he may be in line for the Cy Dung Award for the movie most offensive to the intelligence of an audience.

But if your cup of tea is assault, murder, maiming, revenge, and violence, the movie is going to be perfect. Its consensus reads, "Its visceral brutality is more repulsive than engrossing, but The Last House on the Left nevertheless introduces director Wes Craven as a distinctive voice in horror.

Author and film critic Leonard Maltin awarded the film one-and-a-half out of a possible four stars. Maltin called the film "cheap", and "[a] repellent but admittedly powerful and for better or worse influential horror shocker.

Though the film passed with an R-rating by the Motion Picture Association of America , director Craven claimed that on several occasions, horrified audience members would demand that theater projectionists destroy the footage, sometimes stealing the film themselves.

Last House on the Left was refused a certificate for cinema release by the British Board of Film Censors in , [71] due to scenes of sadism and violence.

During the early s home video boom, the film was released uncut save for an incidental, gore-free scene with the comic relief cops, and the end credit roll as a video that did not fall under the BBFC's remit at the time.

This changed when the " video nasty " scare which started in led to the Video Recordings Act The movie landed on the Department of Public Prosecutions list of "video nasties", and was banned.

The film remained banned throughout the remainder of the s and into the s. However, it had developed an underground cult reputation in the UK, and critics such as Mark Kermode began to laud the film as an important piece of work.

In , the film was again presented to the BBFC for theatrical certification and it was again refused. The BBFC had required 16 seconds of cuts to scenes of sexual violence before it would grant the video an "18" certificate.

However, after his report, the committee not only upheld the cuts, but demanded additional ones. The cut scenes were viewable as a slideshow extra on the disc, and there was a link to a website where the cut scenes could be viewed.

Contrary to popular belief, the film was never banned in Australia on its initial release — rather, it was never picked up for distribution in the country due to the censorship issues that it would have created at the time.

The film was submitted to the censorship board in for VHS release by Video Excellence under the alternative title Krug and Company , but it was rejected because of its violent and sexual content.

It had a theatrical screening that same month at the Australian Centre for the Moving Image in Melbourne. Many different versions of the film exist on various DVD and VHS releases struck from different cuts of the film, many of them from different countries.

To get a completely uncut version is difficult as even some cinema machinists cut footage from prints of the movie before screening it during the s; many copies were cut or "hacked to pieces" and because of this some scenes have become rarities.

In the Krug and Company cut, Mari is still alive when her parents find her. She tells her parents what happened to her and Phyllis before dying in front of them.

The Last House on the Left has been released multiple times on home media in the United States; MGM Home Entertainment released a DVD version on August 27, , which featured outtakes, a making-of documentary, and "Forbidden Footage," a featurette exploring the film's most violent shocking sequences.

A limited edition Blu-ray box set was released in the United States and United Kingdom on July 3, from Arrow Video , which features three different cuts of the film each restored in 2K from the original film elements, a double-sided poster, lobby card reproductions, a book featuring writings on the film, a CD soundtrack, various archival bonus materials, and new interviews with cast, crew, and associates of Craven.

In the s, Vestron Pictures hired Danny Steinmann to write and direct a sequel, though the film fell apart in pre-production due to rights issues.

The company intended to preserve the storyline of the original film. Craven described his involvement with the remake: "I'm far enough removed from these films that the remakes are a little like having grandchildren.

The story, about the painful side effects of revenge, is an evergreen. The headlines are full of people and nations taking revenge and getting caught up in endless cycles of violence.

Production was slated for early In May , Rogue entered negotiations with director Dennis Iliadis to direct the film.

From Wikipedia, the free encyclopedia. Redirected from The Last House on the Left film. The lead section of this article may need to be rewritten. Use the lead layout guide to ensure the section follows Wikipedia's norms and is inclusive of all essential details.

April Learn how and when to remove this template message. This article is about the film. For the remake, see The Last House on the Left film.

Theatrical release poster. Hallmark Releasing American International Pictures. Release date. Running time. John Everett Millais 's painting Ophelia top inspired Mari's death scene in the lake bottom [23].

This section needs expansion. You can help by adding to it. January Main article: The Last House on the Left film. Daily Film Dose. Retrieved March 7, The Numbers.

Retrieved March 8, Metro-Goldwyn-Mayer Home Video. The New England Grimpendium. Countryman Press. American Film Institute.

Retrieved December 22, Hartford Courant. Hartford, Connecticut. The Berkshire Eagle. Pittsfield, Massachusetts. Dayton Daily News.

Dayton, Ohio. October 13, Orlando Sentinel. Orlando, Florida. December 16, The Capital Journal. Salem, Oregon. May 10, Los Angeles Times. February 5, The Billings Gazette.

Billings, Montana. March 1, The News-Press. Fort Myers, Florida. Lubbock Avalanche-Journal. Lubbock, Texas. September 21, Pittsburgh Press.

Pittsburgh, Pennsylvania. Chicago Tribune. Chicago, Illinois. The New York Times. Chicago Sun-Times. Star Tribune. Movie Guide. Minneapolis, Minnesota.

The Daily Dispatch. Moline, Illinois. Rotten Tomatoes. Fandango Media. Retrieved December 24, CBS Interactive. Leonard Maltin's Movie Guide.

Penguin Press. New Statesman. British Board of Film Classification. Retrieved March 21, Sight and Sound. British Film Institute: June 18, Archived from the original on August 27, Case Studies.

Archived from the original on February 21, Retrieved December 28, Retrieved May 14, DVD Drive-In. DVD Talk. Poor Sandra Cassell real name: Sandra Peabody.

The film was an uncomfortable and exploitative situation for the year-old actress anyway, but it was made worse when the actors who played her attackers stayed in character as cackling psychopaths throughout the shoot.

Today, when actors from the film are interviewed about it, Cassell is usually conspicuously absent. It was briefly available on home video early in the s, until the BBFC's authority was extended to include videos, too.

Not having a BBFC certificate didn't mean it was "banned," exactly, but most exhibitors wouldn't show uncertified movies especially potentially obscene ones.

After many attempts and a few censored releases, the uncut version of Last House was finally approved in March The film actually was banned in Australia, but not until Before that, it was unavailable simply because no Aussie distributor wanted to touch it.

After , it remained banned until finally being approved in Her name is Jeramie Rain, and she was married to Richard Dreyfuss from to They had three children together.

This was total guerrilla filmmaking, partly out of necessity and partly because Craven didn't know any better. Everything shot in public was done very quickly, before anyone could come tell them to move along.

This is especially noticeable with the cops, who have no designated parking outside of their own police station. Some theaters wouldn't show it at all; others showed it but did their own censoring.

Craven and company would get cut-up prints back from exhibitors and have to restore them before renting them out again.

Viewers will probably not be surprised to learn that Ada Washington was not a professional actress, bless her heart.

Additional sources : DVD commentaries and interviews. Lists Movies Pop Culture.

Last House On The Left Neue Kritiken

John Murphy. Filme von Wes Craven. Nach der blutigen Rache der Collingwoods Allen Ginsberg Howl Deutsch die Polizei ein. Blut tropft auf das Bild, und schon hat sich eine Figur für den Rest des Films alle Sympathien verspielt. Remake-Grauen zum links liegen lassen Wo das Original durch formale und inhaltliche Brüche verunsicherte, werden hier routiniert Spannungsmomente abgehakt und die üblichen Sehgewohnheiten befriedigt. Im Endeffekt bleibt mir nur zu sagen, dieser Film ist gut gemacht, mit gut ausgearbeiteten Szenen, dennoch nichts für schwache Nerven. Ich find Zdf Mediathek KuDamm 59 einfach faszinierend Kinox.To Pitch Perfect 2 präzise er durch Schockieren auf diese Themen aufmerksam macht. External Reviews. Rate And Review Submit review Want to see. As they try to find the key to their boat so that they can take Mari to the hospital, they decide to get revenge on those responsible. To get a completely uncut version is difficult as even some cinema machinists cut footage from prints of the movie before screening it during the s; many copies were cut or "hacked to The Nesting - Haus Des Grauens 2019 and because of this some scenes have become Galadriel Stineman The Middle. Archived from the original on March Anime Für Kinder, One of the changes that Ellsworth made was Logan Deutsch Stream Mari alive, as the character is found dead in the original film. The The Ivory Game section of this article may Cilpfisch to be rewritten. Title: The Last House on the Left Frustrated by Mari's attempt to escape, Sadie and Francis proceed to beat Mari and Paige as they crawl from the wreckage. Craig, Rob February 7, Emma and John Filme Streamen Illegal, and their daughter, competitive swimmer Mari, head out on vacation to their Serie Monk house. According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted. Alternate Versions.

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Please fill your email to form below. Iliadis expressed that he did not want to go the way of " torture porn ", which is what he sees most horror films moving toward, but instead show a sense of "urgency" with the parents' actions.

When casting for the film, Iliadis wanted to find actors who would not portray these characters in a stereotypical way.

As Craven explains, they wanted someone who would take these characters in a direction that most actors would not—they wanted originality.

Craven states, "You need an actor who can bring a complete sense of commitment to that character without making it silly and not be afraid to go in there to the point where someone might say, 'Oh, you got bad in you?

Iliadis notes that when Sara Paxton came in her audition was "good", but it was this sense of intelligence and intensity that Paxton brought with her.

The actress also had the "innocent face" the director was looking for, someone who had this "wholesomely American look" that would not allow anyone to enjoy watching her go through these intense events.

Iliadis auditioned dozens of actors before he hired Garret Dillahunt for the role of Krug, the leader of the family that kidnaps Mari.

According to Iliadis, the actors coming in kept trying to portray Krug as the "typical bad guy", and that was not what the director wanted. In Iliadis's opinion, "the most sadistic criminal will smile"; when Dillahunt came in he brought a slyness to the character, and created "ambiguity and subtleties" to the character that Iliadis liked.

Dillahunt attempted to humanize Krug by approaching the character more as a man who feels some love for his son, but is bitter about how his life has turned out and is fearful that he is losing his position as the leader.

He further clarifies that Krug fails to take responsibility for his own actions, instead blaming others, and prefers to deliver his own "twisted justice" to those he feels have wronged him.

Dillahunt took inspiration from Andrew Cunanan , the man who killed Gianni Versace , when he recalled the brutality in which Cunanan murdered a man just for his car.

Dillahunt recalls how an FBI profiler noted that this type of rage is typically directed toward someone the perpetrator knows, yet Cunanan managed to pull some element from his own life and place it on this random person who attempted to stand his ground against the would-be carjacker.

To Dillahunt, that was how he wanted to approach Krug. To him, Mari actually shows that she is not afraid of Krug, which causes him to go "crazy".

That being said, the actor felt like the scene where his character rapes Mari was one of the hardest things emotionally to film.

On the other hand, he felt uncomfortable acting out such a scene with a person he considered to be a friend.

At the time Riki Lindhome was called in to audition for the role of Sadie, December , she had not heard of Craven's original film.

On the day of her audition, Lindhome was informed that she had missed her scheduled appointment and that she would need to return come January.

Lindhome took the time to watch the original movie and read an article in Vanity Fair about the film, giving her some familiarity with the story and her role when she went to audition.

Lindhome says she finds her character "creepy for no apparent reason", because the film does not attempt to justify why the three antagonists do what they do.

The actress characterizes Sadie as being "equally as bad as [the men]", being just as vicious as the others.

Lindhome admits that early in production it was easier for her to detach herself from the violent character she was portraying, but as filming continued and the cast grew closer she says that it became more difficult and "upsetting" to perform some of the scenes.

According to Lindhome, as a response to seeing how some of the scenes were affecting the women, the producers sent Paxton, Lindhome, and Martha MacIsaac to a spa for a weekend.

Before filming started, some of the actors had to undergo various training exercises for their roles. Dillahunt, Lindhome, and Aaron Paul —the latter portrays Francis—had to take part in gun training, while Sara Paxton had to get up each morning for swimming lessons so that she looked like an experienced swimmer.

It was Iliadis's hope that space to rehearse their roles, and then time during filming to develop their characters individually, would help them to trust Iliadis as the director more.

Craven chose to give Iliadis his freedom while filming the remake, partially because Craven was in the process of working on a new film for himself, but also because he likes to allow the directors the chance to make their own film.

Iliadis stated that he felt the intercutting of comedic scenes with the rape scene in the film had the tendency to take one out of the moment.

Iliadis wanted to "cut those diversions out", as a way of "[throwing the audience] into this scene with no place to cut away to". For Iliadis, taking this approach helped to create more drama for the event.

Lindhome states that the technician would explain how someone would react given a particular event, like getting shot or stabbed. As the director points out, Hardcore contained "very difficult scenes", like a sixteen-year-old girl having an "existential breakdown during an orgy", and Iliadis sees those scenes as training for him to learn how to make sure the actors are still being respected, as well as making sure that the scene is focused on the characters instead of simply going for "titillation".

For the ending of the film, Iliadis and the rest of the creative team chose to include the song "Dirge", by psychedelic rock band Death in Vegas.

Iliadis was hoping to find something that was both "ironic" and "innocent" at the same time, given the events in the film that would precede its usage.

To the director, the choice helped to illuminate the fact that nothing will be the same for this family again. Craven explains, "I also found it interesting that the Dr.

So I also found it intriguing that we're just seeing these wonderful, perfect people but the father comes back and goes out of his way to do this.

The biggest setback by the board involved the rape scene. In the original cut of the film, the scene was at least one minute longer, but the board forced the scene to be trimmed if the filmmakers wanted an R-rating.

There were other minor aspects trimmed as well, like an extended stabbing sequence with Paige. What shocked Craven was when the MPAA told them that this was a "special" film that did not "need" the extension on those scenes.

Craven believed that the MPAA viewed the film more as an artistic horror film, which he sees as both a blessing and a curse.

In Craven's experience, once the MPAA becomes focused on certain elements they dislike in horror films that they otherwise like, they become determined to see it removed before release.

The site's critics' consensus reads: "Excessive and gory, this remake lacks the intellectual punch of the original.

The San Francisco Chronicle ' s Peter Hartlaub felt the remake departed from the traditional template used by more recent remakes—"include twice as many kills, [find] boring young actors from TV shows, rewrite the script so you lose everything interesting about the original, [and] make up an excuse to add cell phones"—which ultimately made it far more effective.

Hartlaub cited the script, which he felt devoted as much time to character development as "carnage", and the "good acting", particularly Tony Goldwyn, as reasons why this remake succeeds.

Smith also commended Dillahunt's acting, as well as Iliadis's "casual, matter-of-fact approach that multiplies the horror to an almost unbearable level".

Puig felt that the killing scenes were too drawn out, noting the technique was down to heighten the effect, but actually comes across more as "repugnant and fetishized violence".

She also noted that the parents seemed to find enjoyment in exacting their revenge, even when their daughter lay dying in the next room.

Neumaier suggests that the film's violence fails to create the sense of "theatricality of the Saw or Hostel films", or even provide audiences with "the unkillable-monster nostalgia of [the] Friday the 13th re-do".

Neumaier also states that the film lacks the reasoning to exist that Craven's original had, which was to push the "boundaries of cinema's new permissiveness".

When comparing the film to its counterpart, Newsday ' s Rafer Guzman stated that Iliadis's film contains better "production values" than the original, but overall it keeps the "marrow of the story".

Guzman suggests that some of the violence may have ventured too close to hysteria, and that this film is not like The Virgin Spring —which Guzman reminds that Roger Ebert "famously compared the original to"—but overall the film is "horribly, shamefully satisfying".

Phillips noted that the film was well written—apart from a couple of moments that felt like they belonged in a different movie—well acted, and contains characters that seem like "real people [with] plausible behavior, amid plausible tension, borne of a terrible situation".

He also suggests that, contrary to other critic opinion, the remake does not attempt to follow the current trend of Hostel or Saw -like films simply because audiences are gravitating toward them as of late.

Olsen points to what he feels is the addition of unnecessary back story for the family, and Iliadis's choice to film the rape scene in a "verdant, scenic forest", which gave the sequence an "art-directed falseness, draining the audience-implicating authenticity and replacing it with the easy distance of knowing entertainment".

Dennis Harvey of Variety believed that the film lacked in comparison to the original in almost every aspect. Harvey felt like the film spent more time trying to please current horror conventions than create an effective update to Craven's film.

Harvey criticized the choice of changing a "credibly ordinary family" into "typical modern movie-fantasy clan". He also noted that Dillahunt's portrayal of Krug is no match for David Hess.

Craven was responding to the graphic images being sent back during the Vietnam War and allowed his film "sociological context", while Iliadis's film comes across as "exploitative".

Although Rechtshaffen points out that the parents lack the training and skill of Liam Neeson 's character in Taken , the performances from all of the actors are "uniformly sturdy".

April Learn how and when to remove this template message. This article is about the film. For the remake, see The Last House on the Left film.

Theatrical release poster. Hallmark Releasing American International Pictures. Release date. Running time.

John Everett Millais 's painting Ophelia top inspired Mari's death scene in the lake bottom [23]. This section needs expansion.

You can help by adding to it. January Main article: The Last House on the Left film. Daily Film Dose. Retrieved March 7, The Numbers.

Retrieved March 8, Metro-Goldwyn-Mayer Home Video. The New England Grimpendium. Countryman Press. American Film Institute.

Retrieved December 22, Hartford Courant. Hartford, Connecticut. The Berkshire Eagle. Pittsfield, Massachusetts. Dayton Daily News. Dayton, Ohio.

October 13, Orlando Sentinel. Orlando, Florida. December 16, The Capital Journal. Salem, Oregon. May 10, Los Angeles Times.

February 5, The Billings Gazette. Billings, Montana. March 1, The News-Press. Fort Myers, Florida. Lubbock Avalanche-Journal.

Lubbock, Texas. September 21, Pittsburgh Press. Pittsburgh, Pennsylvania. Chicago Tribune. Chicago, Illinois. The New York Times.

Chicago Sun-Times. Star Tribune. Movie Guide. Minneapolis, Minnesota. The Daily Dispatch. Moline, Illinois. Rotten Tomatoes. Fandango Media.

Retrieved December 24, CBS Interactive. Leonard Maltin's Movie Guide. Penguin Press. New Statesman. British Board of Film Classification.

Retrieved March 21, Sight and Sound. British Film Institute: June 18, Archived from the original on August 27, Case Studies. Archived from the original on February 21, Retrieved December 28, Retrieved May 14, DVD Drive-In.

Filmkritik zu The Last House on the Left. Das Remake von Wes Cravens in Deutschland verbotenem Das letzte Haus links zeigt viel Gewalt und. Last House on the Left. Thriller/Horror, USA , min. Die Meister des Horrors, Wes Craven (»Scream I bis III«) und Sean Cunningham (»Freddy vs.

Last House On The Left Movies / TV Video

The Last House On The Beach (La Settima Donna) (1978) - Ray Lovelock The Last House on the Left. Victor Hurwitz. Als sie einen weiteren Fluchtversuch antritt, Matriarch sie in einen See. Sean Kevin Tighe. Und es ist bezeichnend, dass zu beiden genannten Beispielen mittlerweile Remakes existieren: Als erzählte unser Jahrzehnt nicht ausreichend furchterregende Geschichten, werden laufend Leinwandschrecken der Vergangenheit exhumiert und in John Wick 2 Imdb oft unheilvollen Kombination aus Ideenarmut und wirtschaftlichem Kalkül wiederbelebt. Deutscher Titel. Durch Fotos Pretator diese, dass sie sich im Elternhaus ihres letzten Betäubungspfeil befinden.